My first main reminiscence of Indie Video games on Xbox platforms is a nice one, and it is exactly the form of reminiscence I really feel most applicable for the medium. This was a tiny self-published affair – nary a writer in sight, what I assume was a solo developer, and a particularly restricted scope. I am not speaking about Hole Knight, or Balatro, or Braid, or Limbo or what have you ever. I am speaking about Curling 2010.
Curling 2010 was precisely what it feels like: a quite simple indie recreation of the game of curling. It was a drunken discovery, and in my circle of mates was nearly solely performed competitively when very liquored. To me, Curling stood alongside Mount your Buddies as absolutely the poster youngsters of Xbox Dwell Indie Video games, a somewhat sensible little service that allowed just about anybody to develop Xbox 360 video games utilizing Microsoft’s XNA framework. Video games would get peer reviewed after which may go reside for a couple of dollars.
This service was surprisingly easy, shockingly democratised, and was the primary sign of how severe Xbox was about permitting unbiased builders entry to its platform; they let one particular person indulge their curiosity in Curling and put their recreation on Xbox 360.
Whereas Xbox Dwell’s Neighborhood Indie video games service by no means left the Xbox 360 and Microsoft by no means fairly embraced such chaotic openness once more, that system’s founding spirit was later channeled into Xbox One’s ID@Xbox program, which continues to today. In 2025, ID@Xbox has seldom appeared extra essential to Xbox’s fortunes. The platform holder finds itself in uneven waters: first-party studio layoffs, second-party recreation cancellations, botched rescue offers and boycott calls fuelled by the actions of Xbox’s father or mother firm. However what a part of the Xbox ecosystem has been persistently somewhat good? ID@Xbox.
A look round Xbox’s Gamescom stand final month serves as fairly agency affirmation of that reality. The longest line was, in fact, for Silksong. Even earlier than the present opened to the general public, I watched media and influencers denigrate themselves dashing to that queue, which ran for over an hour. On the opposite aspect of the stand, video games like Tremendous Meat Boy 3D and There are No Ghosts on the Grand dominated as accomplice titles. Some may uncharitably counsel that this stand is extra consultant of a very quiet yr for Xbox’s first social gathering video games – however the fact is, Xbox exhibits have featured cubicles like this for a very long time; every look an indication of an indie and third social gathering relations setup firing on all cylinders.
“Some years there’s extra indie video games, some years there’s a number of much less – however yearly it is a dialogue,” ID@Xbox boss Chris Charla tells me within the midst of the bustle and noise of the Xbox stand. We chat in a small aisle of the sales space simply adjoining to an indie-focused part the place an early-morning queue is starting to snake. The breadth of third-party titles on the sales space, from late Japanese ports to all-new indies and hotly anticipated sequels, is supposed to ship a message.
“It’s simply actually a recognition by Xbox of absolutely the essential want for range in our portfolio,” Charla provides.
Working example: There Are No Ghosts on the Grand, the quirky debut title of Bristol-based developer Friday Sundae. Distinctly British, it took pleasure of place at Xbox’s Summer time Video games Fest and Gamescom presences.
“We by no means in our wildest goals thought that we’d be there,” shares Anil Glendinning, artistic director at Friday Sundae on No Ghosts on the Grand. “And if we did, we thought it would be in some tiny little sales space hidden in the back of a distant corridor, the place no person will get to see us! We didn’t ever in 1,000,000 years anticipate to be proper there, as a part of Xbox, proper there, corridor 7 – and to have folks ready, like, an hour to play our recreation.
“Not as large because the queues for Hole Knight, in fact,” Glendinning laughs, “However it was extraordinary, and surreal, and an actual merchandise off the bucket listing. As an indie dev, you could not hope for a greater begin for introducing the sport on to players.”
The part in direction of the back-right of Xbox’s stand the place No Ghosts on the Grand made its debut serves as an ideal instance of the breadth of the relationships Xbox is attempting to foster exterior of its first-party ecosystem. Alongside No Ghosts there was Silksong, the indie that’s so huge it not fairly suits the time period in the identical method. Then there’s Invincible VS, which has a extra conventional publishing association however by way of the smaller-scale Skybound Video games. PowerWash Simulator 2 is a sequel to a smash hit revealed by one in every of gaming’s greatest multinationals – however this time developer Futurlab goes it alone. Chinese language developer Pawprint Studio showcased its Pokémon-alike Aniimo, and simply off to the aspect have been among the fruits of Xbox’s growth outreach efforts in Japan with a number of late-but-welcome ports from Sq. Enix.
The purpose is, the stand paints an image of a route of journey for Xbox at the same time as different elements of their enterprise seem a lot much less sure. From smaller really unbiased studios to start-ups with slightly exterior funding and assist, the phrase tends to be fairly common, too: those that have had the chance to ply Xbox’s sources have discovered it invaluable.
“We’re an indie studio and small writer so getting this degree of assist throughout key advertising milestones is large for us,” says Mike Willette, government producer on Invincible VS at new startup studio Quarter Up. “Having that sort of attain – particularly throughout such a big-scale occasion – meant that followers world wide may join with the Invincible VS. It was a giant second for the sport and the response has been wonderful to see.”
The enthusiastic perspective in direction of Xbox’s assist raises a query, in fact: how precisely Xbox decides which video games are the chosen ones and that are much less fortunate. Even essentially the most passing of glances at Steam’s statistics tells us there at the moment are extra video games than ever – and the method of discovery is thereby ever extra difficult. That is true for the media, as we attempt to dig out cool video games for readers – but it surely’s additionally clearly true for publishers, and shoppers themselves. Charla says Xbox’s strategy hasn’t modified in over a decade, nevertheless.
“We discover them in every single place,” Charla says. “We discover them by spending time within the Indie Area [at Gamescom]. We discover them by folks sending us direct messages on BlueSky… We discover them from folks throughout Microsoft being like, hey, have you ever seen this recreation? And we discover them from having mates who make video games who say – hey, you could see my buddy’s recreation. And from folks simply emailing us!”
Ultimately, Charla’s crew works with a whole bunch of companions annually, reviewing what’s subsequent on the planet of indie or indie-adjacent gaming. This can be a crew that is not simply in search of the following Hole Knight, both – the hunt is on for all kinds of titles, largely to make sure the breadth of releases on Sport Cross. And whereas the concept of Sport Cross as a universally ‘good factor‘ stays in dispute, with some builders going so far as to name it unsustainable and damaging, Charla is bullish on the service – and its successes with indie builders.
“The vast majority of companions who’ve had a recreation in Sport Cross need to deliver their future titles to the service,” Charla notes. “In consequence, we have signed offers with greater than 150 companions to develop {the catalogue}. We proceed to interact with a whole bunch of companions annually to overview upcoming titles.”
“Final yr, we labored with over 50 groups to signal their first Sport Cross deal. This yr marks our largest funding in Sport Cross thus far, and we stay centered on delivering essentially the most thrilling and numerous catalogue in gaming.”
The pathway of progressively ending up intertwined with Xbox and touchdown a Sport Cross deal matches as much as that described by Friday Sundae for No Ghosts on the Grand. In that case, the studio had put collectively a demo and had been displaying it off to numerous potential companions, which included a submission to the Xbox crew by way of a developer-focused web site and type entry. It was, by Glendinning’s personal admission, a “unusual demo” – which tempered expectations.
“We did not anticipate to listen to again,” Glendinning admits of that early No Ghosts on the Grand demo. “We went by these channels after which promptly forgot all about it. And actually, once we obtained an e-mail again… we thought it was spam! We weren’t fully positive it was actual. However it was – it was somebody inside the Xbox crew saying, yeah, we like your demo, we performed it, we expect it is fascinating, and we would like to leap on a name. Since then, it has been a blur.”
That whirlwind of Xbox’s involvement has been described to me variously by builders as helpful from a nuts-and-bolts growth perspective – by way of gathering suggestions and having fun with technological assist – but additionally as a confidence-booster for the small groups concerned. The eye of a a lot larger accomplice might be helpful or scary – but it surely may also be validating.
“We needed to present Xbox progress throughout key milestones, i.e. demo the sport for his or her partnerships crew at crucial moments to encourage confidence that we belonged on their assist roster,” says Mike Willette of Invincible VS. “It was a great train for our dev crew in addition to one thing that helped us always elevate our personal bar.”
“I simply keep in mind that Xbox was so interested in our artistic course of,” says Friday Sundae’s Glendinning. “They needed to know the place we needed to take it, the place our creativity was coming from, our imaginative and prescient for the sport. Every thing that we mentioned to them, they got here again with this enthusiasm. We might maintain sending – one other e-mail, some extra screenshots, extra movies, extra content material. Time after time, we have been getting encouragement, assist, and the thumbs as much as carry on going.
“Having that sort of assist was an enormous confidence enhance, y’know? We weren’t positive what we have been making or whether or not anybody would have an interest, or actually prefer it. Listening to folks inside the Xbox crew being excited, being encouraging, desirous to see extra – that was an actual shot within the arm of confidence for us. It actually spurred the crew ahead to assume: hey, what? We’d even have one thing right here.”
There was one other, secondary profit, in fact. “The largest factor for us was having access to these dev kits,” Glendinning notes. “It is nonetheless vastly essential for us understanding that we’ve Xbox there, having our backs if we run into any points or issues. However the fact is, it is truly been clean crusing thus far.”
A clean journey for indie builders is one thing that’s clearly a spotlight for Charla and his crew. When requested about his crew’s journey over time – apart from the video games themselves – the ID@Xbox boss immediately zeroes in on the technical modifications that crew has managed to institute throughout the Xbox platform, making changes that in lots of instances profit everybody, indie or triple-A alike.
“It was actually exhausting to publish on Xbox. It was our job to make it simpler,” Charla says. “So once we first began ID@Xbox, we had a whole lot of asks.
“We had a whole lot of asks that have been actually indie particular, and we might go into these conferences with all these engineers – and we did not know anyone, proper? These are enterprise folks. And we present up like, ‘Errr… ahh… we’re from ID’ – however as quickly as we mentioned that it was like ‘Oh, you are the Indie guys! What do you want?!’ That degree of assist internally at Microsoft for unbiased builders has been off the charts ceaselessly from day one, and it continues at this time.
“Y’know, if we are able to save 12 hours on a recreation… hey, that is nice for everyone. It is nice for giant publishers, however for an indie or possibly a solo dev – 12 hours is sort of a day and a half of labor that you need to use to theoretically materially make the sport a day and a half higher. There’s a whole lot of former builders on the crew, and we actually take that sort of factor to coronary heart.”
Through the years, the main target has been on attempting to make the act of getting video games onto Xbox simpler. However Charla now sees a brand new problem. With an explosion within the sheer variety of video games, plus an ever-growing variety of video games in Xbox’s subscription service, it is now about ensuring video games do not get misplaced within the flood. His crew is seeking to make comparable optimisations on this space as they as soon as did to the method of onboarding builders within the first place.
“What if we put that discovery query on its head?” Charla asks. “How can we as a recreation platform assist builders to find their viewers? So in the event you’re making a recreation of a sure high quality… there’s an viewers for that out on the planet. Whether or not that viewers’s whole addressable market is 30 million or 3 million, or 300,000, or 30,000… How can we as Microsoft aid you get in entrance of that whole addressable viewers?
“We need to present that viewers your field artwork. Now, whether or not or not they click on on the field, whether or not or to not purchase the sport, that is slightly depending on the developer – on the field artwork, on the sport, and many others. However I believe our job is to consider Discovery in a brand new method, which is, how can we guarantee builders can uncover their audiences?”
A few of this brings us full-circle. After I converse to Charla and the builders featured right here, it is both throughout or off the again of an Xbox Gamescom presence that has been all about connecting instantly with gamers in-person. At Gamescom, from the angle of those builders, Xbox’s assist was invaluable.
“Having the chance to showcase Invincible VS on a worldwide stage – particularly in Europe – was big,” says Mike Willette. “It was our first time seeing worldwide followers work together with the sport in-person, and that was extremely rewarding. Seeing folks’s reactions, watching them get a really feel for the mechanics and feeling the thrill construct up on the present ground – there’s actually nothing like experiencing that.”
The problem, then, seems to be taking that form of vitality and that discovery accessible in particular person at bodily occasions and discovering methods to ship that on digital storefronts and the like. Charla’s imaginative and prescient – that discovery is a two-way avenue, as a lot about video games discovering audiences as it’s about audiences discovering video games – is clearly a key lynchpin. As with ID@Xbox driving storefront and growth backend modifications that helped all, although, it is clear that Xbox’s indie assist might be key to this. Then there may be the broader place through which Xbox finds itself, a lot of it undesirable – making this brilliant spot one whose continued luminescence is important. Charla, no less than, seems to imagine he has the assist and buy-in wanted to try this.
“I bear in mind one yr, we had a bunch of video games prepared however we simply weren’t displaying them at this specific inner overview. And a really senior government, midway by the overview, appears to be like at me and is like ‘the place are the indie video games?’,” the ID@Xbox boss recollects.
“I used to be like, ‘oh, don’t fret, they’re coming – subsequent overview! You recognize, the trailers have a tendency to return alongside slightly later for indies…’ However, it was cool for that query to be requested. It was an actual second the place I mirrored on it later and was identical to – okay, I am working in the proper place.”
